Love at Twenty 1962
6.7 /10
Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.
Release Dates
| Country | Release Type | Release Date |
|---|
cast
Full Cast & Crew
Antoine Doinel (segment "Antoine et Colette")
Colette (segment "Antoine et Colette")
René (segment "Antoine et Colette")
La mère de Colette (segment "Antoine et Colette")
Le beau-père de Colette (segment "Antoine et Colette")
Himself (segment "Antoine et Colette")
Christina
Leonardo
Valentina
Fukimo
Ursula
Tonio
Basia (segment "Warszawa")
Zbyszek (segment "Warszawa")
Władek (segment "Warszawa")
Basia's Friend (segment "Warszawa") (uncredited)
Misiek (segment "Warszawa") (uncredited)
Marysia (segment "Warszawa") (uncredited)
Basia's Friend (segment "Warszawa") (uncredited)
Young Girl at Concert (uncredited)
Related Movies To
Skyfall: Quantum of Spectre
This is by far one of my favorite movies from the MCU. The introduction of new Characters both good and bad also makes the movie more exciting. giving the characters more of a back story can also help audiences relate more to different characters better, and it connects a bond between the audience and actors or characters. Having seen the movie three times does not bother me here as it is as thrilling and exciting every time I am watching it. In other words, the movie is by far better than previous movies (and I do love everything Marvel), the plotting is splendid (they really do out do themselves in each film, there are no problems watching it more than once.
Avengers Age of Ultron is an excellent sequel and a worthy MCU title! There are a lot of good and one thing that feels off in my opinion.
THE GOOD:
First off the action in this movie is amazing, to buildings crumbling, to evil blue eyed robots tearing stuff up, this movie has the action perfectly handled. And with that action comes visuals. The visuals are really good, even though you can see clearly where they are through the movie, but that doesn't detract from the experience. While all the CGI glory is taking place, there are lovable characters that are in the mix. First off the original characters, Iron Man, Captain America, Thor, Hulk, Black Widow, and Hawkeye, are just as brilliant as they are always. And Joss Whedon fixed my main problem in the first Avengers by putting in more Hawkeye and him more fleshed out. Then there is the new Avengers, Quicksilver, Scarletwich, and Vision, they are pretty cool in my opinion. Vision in particular is pretty amazing in all his scenes.
THE BAD:
The beginning of the film it's fine until towards the second act and there is when it starts to feel a little rushed. Also I do feel like there are scenes missing but there was talk of an extended version on Blu-Ray so that's cool.
I can't right much... it's just so forgettable...Okay, from what I remember, I remember just sitting down on my seat and waiting for the movie to begin. 5 minutes into the movie, boring scene of Tony Stark just talking to his "dead" friends saying it's his fault. 10 minutes in: Boring scene of Ultron and Jarvis having robot space battles(I dunno:/). 15 minutes in: I leave the theatre.2nd attempt at watching it: I fall asleep. What woke me up is the next movie on Netflix when the movie was over.
Bottemline: It's boring...
10/10 because I'm a Marvel Fanboy
If there were not an audience for Marvel comic heroes than clearly these films would not be made, to answer one other reviewer although I sympathize with him somewhat. The world is indeed an infinitely more complex place than the world of Marvel comics with clearly identifiable heroes and villains. But I get the feeling that from Robert Downey, Jr. on down the organizer and prime mover as Iron Man behind the Avengers these players do love doing these roles because it's a lot of fun. If they didn't show that spirit of fun to the audience than these films would never be made.
So in that spirit of fun Avengers: Age Of Ultron comes before us and everyone looks like they're having a good time saving the world. A computer program got loose and took form in this dimension named Ultron and James Spader who is completely unrecognizable is running amuck in the earth. No doubt Star Trek fans took notice that this guy's mission is to cleanse the earth much like that old earth probe NOMAD which got its programming mixed up in that classic Star Trek prime story. Wouldst Captain James T. Kirk of the Enterprise had a crew like Downey has at his command.
My favorite is always Chris Evans because of the whole cast he best gets into the spirit of being a superhero. Of all of them, he's already played two superheroes, Captain America and Johnny Storm the Human Torch. I'll be before he's done Evans will play a couple of more as long as the money's good and he enjoys it.
Pretend you're a kid again and enjoy, don't take it so seriously.
The Avengers raid a Hydra base in Sokovia commanded by Strucker and they retrieve Loki's scepter. They also discover that Strucker had been conducting experiments with the orphan twins Pietro Maximoff (Aaron Taylor-Johnson), who has super speed, and Wanda Maximoff (Elizabeth Olsen), who can control minds and project energy. Tony Stark (Robert Downey Jr.) discovers an Artificial Intelligence in the scepter and convinces Bruce Banner (Mark Ruffalo) to secretly help him to transfer the A.I. to his Ultron defense system. However, the Ultron understands that is necessary to annihilate mankind to save the planet, attacks the Avengers and flees to Sokovia with the scepter. He builds an armature for self-protection and robots for his army and teams up with the twins. The Avengers go to Clinton Barton's house to recover, but out of the blue, Nick Fury (Samuel L. Jackson) arrives and convinces them to fight against Ultron. Will they succeed?
"Avengers: Age of Ultron" is an entertaining adventure with impressive special effects and cast. The storyline might be better, since most of the characters do not show any chemistry. However, it is worthwhile watching this film since the amazing special effects are not possible to be described in words. Why Pietro has to die is also not possible to be explained. My vote is eight.
Cast & crew of
Love at Twenty
Directors & Credit Writers
Writer
Director
Director
Director
Director
Director
Production Manager
Music
Assistant Director
Cast
Colette (segment "Antoine et Colette")
René (segment "Antoine et Colette")
La mère de Colette (segment "Antoine et Colette")
Le beau-père de Colette (segment "Antoine et Colette")
Himself (segment "Antoine et Colette")
Christina
Leonardo
Valentina
Fukimo
Ursula
Tonio
Basia (segment "Warszawa")
Zbyszek (segment "Warszawa")
Władek (segment "Warszawa")
Basia's Friend (segment "Warszawa") (uncredited)
Misiek (segment "Warszawa") (uncredited)
Marysia (segment "Warszawa") (uncredited)
Similair Movies To
Love at Twenty
Pierrot le Fou (1965)
7.4 /10
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
Runtime: MMPA: PG-13 Release: 1965-11-05
Hiroshima Mon Amour (1959)
7.704 /10
The deep conversation between a Japanese architect and a French actress forms the basis of this celebrated French film, considered one of the vanguard productions of the French New Wave. Set in Hiroshima after the end of World War II, the couple -- lovers turned friends -- recount, over many hours, previous romances and life experiences. The two intertwine their stories about the past with pondering the devastation wrought by the atomic bomb dropped on the city.
Runtime: MMPA: PG-13 Release: 1959-06-10
Handsome Serge (1958)
6.9 /10
After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.
Runtime: MMPA: PG-13 Release: 1958-06-06
Tout Va Bien (1972)
6.6 /10
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
Runtime: MMPA: PG-13 Release: 1972-04-28
Alphaville (1965)
6.939 /10
Lemmy Caution is on a mission to eliminate Professor Von Braun, the creator of a malevolent computer that rules the city of Alphaville. Befriended by the scientist’s daughter Natasha, Lemmy must unravel the mysteries of the strictly logical Alpha 60 and teach Natasha the meaning of the word “love.”
Runtime: MMPA: PG-13 Release: 1965-05-05
Band of Outsiders (1964)
7.5 /10
Cinephile slackers Franz and Arthur spend their days mimicking the antiheroes of Hollywood noirs and Westerns while pursuing the lovely Odile. The misfit trio upends convention at every turn, be it through choreographed dances in cafés or frolicsome romps through the Louvre. Eventually, their romantic view of outlaws pushes them to plan their own heist, but their inexperience may send them out in a blaze of glory -- which could be just what they want.
Runtime: MMPA: PG-13 Release: 1964-08-05
Masculin Féminin (1966)
7.248 /10
Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.
Runtime: MMPA: PG-13 Release: 1966-03-22
Fahrenheit 451 (1966)
7.104 /10
In the future, the government maintains control of public opinion by outlawing literature and maintaining a group of enforcers, known as “firemen,” to perform the necessary book burnings. Fireman Montag begins to question the morality of his vocation…
Runtime: MMPA: PG-13 Release: 1966-09-07
The Last Metro (1980)
7.235 /10
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
Runtime: MMPA: PG-13 Release: 1980-09-17
Vivre Sa Vie (1962)
7.741 /10
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
Runtime: MMPA: PG-13 Release: 1962-09-20
The Wild Child (1970)
7.1 /10
In 1798, a feral boy is discovered outside the town of Aveyron, France. Diagnosed as mentally impaired, he is relegated to an asylum. A young doctor named Jean Itard becomes convinced that the boy has normal mental capacity, but that his development was hindered by lack of contact with society. He brings the boy home and begins an arduous attempt at education over several years.
Runtime: MMPA: PG-13 Release: 1970-02-26
Jules and Jim (1962)
7.567 /10
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Runtime: MMPA: PG-13 Release: 1962-01-23
La Chinoise (1967)
7 /10
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume and Veronique, form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
Runtime: MMPA: PG-13 Release: 1967-08-30
Day for Night (1973)
7.8 /10
A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.
Runtime: MMPA: PG-13 Release: 1973-05-24
Grand Illusion (1937)
7.856 /10
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Runtime: MMPA: PG-13 Release: 1937-06-04
Cléo from 5 to 7 (1962)
7.698 /10
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Runtime: MMPA: PG-13 Release: 1962-04-11
The 400 Blows (1959)
8 /10
For young Parisian boy Antoine Doinel, life is one difficult situation after another. Surrounded by inconsiderate adults, including his neglectful parents, Antoine spends his days with his best friend, Rene, trying to plan for a better life. When one of their schemes goes awry, Antoine ends up in trouble with the law, leading to even more conflicts with unsympathetic authority figures.
Runtime: MMPA: PG-13 Release: 1959-06-03
Love in the Afternoon (1972)
7.271 /10
Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.
Runtime: MMPA: PG-13 Release: 1972-09-01
The Woman Next Door (1981)
7.077 /10
Madame Jouve, the narrator, tells the tragedy of Bernard and Mathilde. Bernard was living happily with his wife Arlette and his son Thomas. One day, a couple, Philippe and Mathilde Bauchard, moves into the next house. This is the accidental reunion of Bernard and Mathilde, who had a passionate love affair years ago. The relationship revives... A somber study of human feelings.
Runtime: MMPA: PG-13 Release: 1981-09-30
Stolen Kisses (1968)
7.3 /10
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Runtime: MMPA: PG-13 Release: 1968-09-04