La Vie Parisienne 1991

0 /10

This 1991 production by the Lyon National Opera presents a welcome opportunity to revel in a uniquely Gallic confection rarely seen outside France. It's also a chance to enjoy one of Offenbach's most inventive, melodic scores in which the starring musical role and many of the best tunes go to the orchestra, here conducted by Jean-Yves Ossonce. This is no accident: the operetta was originally created for a company of actors who relied on pastiche and the composer's help to get them through their "numbers". Not so these singers, of course. As Metella, the languorous courtesan who is responsible for the unravelling debacle, Helene Delavault is in meltingly good voice for her show-stopping rondeau, "A minuit sonnant commence la fete". Her sparring suitors Gardefeu (Jean-Francois Sivadier) and, particularly, Bobinet (Jacques Verzier) combine marvellous visual comedy with fluid singing and there is some dazzling vocal work from the supporting cast. It's a long piece, but hugely enjoyable.

Release Dates

CountryRelease TypeRelease Date
DEStreamingDec 1, 1991

Raoul de Gardefeu

Baron de Gondremarck

Baronne de Gondremarck

Director:

Alain Françon

Release Dates:

1991-12-01

Runtime

159 min

Related Movies To

Skyfall: Quantum of Spectre

Write Review

Found 56 reviews in total

Best Marvel movie in my opinion

17 December 2016 by hawaiipierson

This is by far one of my favorite movies from the MCU. The introduction of new Characters both good and bad also makes the movie more exciting. giving the characters more of a back story can also help audiences relate more to different characters better, and it connects a bond between the audience and actors or characters. Having seen the movie three times does not bother me here as it is as thrilling and exciting every time I am watching it. In other words, the movie is by far better than previous movies (and I do love everything Marvel), the plotting is splendid (they really do out do themselves in each film, there are no problems watching it more than once.

Just about as good as the first one!

17 December 2016 by hawaiipierson

Avengers Age of Ultron is an excellent sequel and a worthy MCU title! There are a lot of good and one thing that feels off in my opinion.

THE GOOD:

First off the action in this movie is amazing, to buildings crumbling, to evil blue eyed robots tearing stuff up, this movie has the action perfectly handled. And with that action comes visuals. The visuals are really good, even though you can see clearly where they are through the movie, but that doesn't detract from the experience. While all the CGI glory is taking place, there are lovable characters that are in the mix. First off the original characters, Iron Man, Captain America, Thor, Hulk, Black Widow, and Hawkeye, are just as brilliant as they are always. And Joss Whedon fixed my main problem in the first Avengers by putting in more Hawkeye and him more fleshed out. Then there is the new Avengers, Quicksilver, Scarletwich, and Vision, they are pretty cool in my opinion. Vision in particular is pretty amazing in all his scenes.

THE BAD:

The beginning of the film it's fine until towards the second act and there is when it starts to feel a little rushed. Also I do feel like there are scenes missing but there was talk of an extended version on Blu-Ray so that's cool.

One of the most boring exepirences from watching a movie

26 March 2017 by christopherfreeman

I can't right much... it's just so forgettable...Okay, from what I remember, I remember just sitting down on my seat and waiting for the movie to begin. 5 minutes into the movie, boring scene of Tony Stark just talking to his "dead" friends saying it's his fault. 10 minutes in: Boring scene of Ultron and Jarvis having robot space battles(I dunno:/). 15 minutes in: I leave the theatre.2nd attempt at watching it: I fall asleep. What woke me up is the next movie on Netflix when the movie was over.

Bottemline: It's boring...

10/10 because I'm a Marvel Fanboy

That spirit of fun

26 March 2017 by juliawest

If there were not an audience for Marvel comic heroes than clearly these films would not be made, to answer one other reviewer although I sympathize with him somewhat. The world is indeed an infinitely more complex place than the world of Marvel comics with clearly identifiable heroes and villains. But I get the feeling that from Robert Downey, Jr. on down the organizer and prime mover as Iron Man behind the Avengers these players do love doing these roles because it's a lot of fun. If they didn't show that spirit of fun to the audience than these films would never be made.

So in that spirit of fun Avengers: Age Of Ultron comes before us and everyone looks like they're having a good time saving the world. A computer program got loose and took form in this dimension named Ultron and James Spader who is completely unrecognizable is running amuck in the earth. No doubt Star Trek fans took notice that this guy's mission is to cleanse the earth much like that old earth probe NOMAD which got its programming mixed up in that classic Star Trek prime story. Wouldst Captain James T. Kirk of the Enterprise had a crew like Downey has at his command.

My favorite is always Chris Evans because of the whole cast he best gets into the spirit of being a superhero. Of all of them, he's already played two superheroes, Captain America and Johnny Storm the Human Torch. I'll be before he's done Evans will play a couple of more as long as the money's good and he enjoys it.

Pretend you're a kid again and enjoy, don't take it so seriously.

Impressive Special Effects and Cast

26 March 2017 by johnnylee

The Avengers raid a Hydra base in Sokovia commanded by Strucker and they retrieve Loki's scepter. They also discover that Strucker had been conducting experiments with the orphan twins Pietro Maximoff (Aaron Taylor-Johnson), who has super speed, and Wanda Maximoff (Elizabeth Olsen), who can control minds and project energy. Tony Stark (Robert Downey Jr.) discovers an Artificial Intelligence in the scepter and convinces Bruce Banner (Mark Ruffalo) to secretly help him to transfer the A.I. to his Ultron defense system. However, the Ultron understands that is necessary to annihilate mankind to save the planet, attacks the Avengers and flees to Sokovia with the scepter. He builds an armature for self-protection and robots for his army and teams up with the twins. The Avengers go to Clinton Barton's house to recover, but out of the blue, Nick Fury (Samuel L. Jackson) arrives and convinces them to fight against Ultron. Will they succeed?

"Avengers: Age of Ultron" is an entertaining adventure with impressive special effects and cast. The storyline might be better, since most of the characters do not show any chemistry. However, it is worthwhile watching this film since the amazing special effects are not possible to be described in words. Why Pietro has to die is also not possible to be explained. My vote is eight.

Page 1 of 6:123456

Cast & crew of

La Vie Parisienne

Directors & Credit Writers

Cast

Raoul de Gardefeu

Baron de Gondremarck

Baronne de Gondremarck

Similair Movies To

La Vie Parisienne

Found 20 movies in total

The Newspaper (2005)

0 /10

The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.

Runtime: MMPA: PG-13 Release: 2005-01-01

The Pirates of Penzance (2020)

10 /10

Sasha Regan’s award-winning All-male Company are set to lift everyone’s spirits with a treat in their new West End pirate’s cove. The swashbuckling pirates and their winsome lasses sail into the Palace Theatre with their inventive new take on W. S. Gilbert & Arthur Sullivan’s classic operetta THE PIRATES OF PENZANCE. Featuring a dazzling cast singing songs including: “I am a Pirate King”; “Oh, happy day, with joyous glee” and “A rollicking band of pirates we”, they are sure to raise the roof off the Palace Theatre!

Runtime: MMPA: PG-13 Release: 2020-12-28

Rodelinda (1998)

0 /10

Jean-Marie Villegier's modern interpretation of Handel's "Rodelinda" – filmed live at the world-renowned Glyndebourne Opera House in the United Kingdom, sets the timeless tale of jealousy and treachery in the black-and-white world of the silent-movie era. Soprano Anna Caterina Antonacci sings the title role of Rodelinda, with tenor Kurt Streit and bass Umberto Chiummo performing the parts of Grimoaldo and Garibaldo, respectively.

Runtime: MMPA: PG-13 Release: 1998-06-30

Donizetti: Anna Bolena (2011)

8 /10

Gaetano Donizetti and his librettist Felice Romani kept the focus of their opera ANNA BOLENA on the personal rather than the political in this fictionalized Tudor tale: Henry VIII of England wants to get rid of his second wife, Anne Boleyn, so that he can marry her lady-in-waiting, Jane Seymour. He brings Lord Richard Percy, Anne's first love, back from exile so that he can find an excuse to accuse her of adultery. With the unwitting aid of Smeaton, a court musician, and Lord Rochefort, Anne's brother, the trap is easily sprung. This 2011 live recording from the Wiener Staatsoper showcases Anna Netrebko as she "scored a personal triumph" in her debut as the hapless Tudor Queen, while her stage partners - notably Elīna Garanča as Jane Seymour and Ildebrando D'Arcangelo as Henry VIII - were likewise showered with critical acclaim.

Runtime: MMPA: PG-13 Release: 2011-04-05

Ermione (1995)

9 /10

Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus

Runtime: MMPA: PG-13 Release: 1995-06-03

La Belle Hélène (2000)

0 /10

This is a joy from beginning to end. Although there are many tricks and ideas from Laurent Pelly, as always he seems to still retain the Offenbach magic. La Lott and Monsieur Beuron are a joy, but so is everyone else. The Patriotic Trio by the sea is both a hoot and wonderfully sung, the score seems truly complete yet never flags and the finale sequences for especially acts 1 & 2 are a joy of movement and sound fused as one glorious Offenbachian moment.

Runtime: MMPA: PG-13 Release: 2000-12-01

Rigoletto (1977)

10 /10

A Victor Hugo play, haunting and scandalous, provided the inspiration for Verdi’s mid-career masterpiece. A vengeful but misguided court jester strives to save his daughter from a duke’s licentious clutches, but can't part with the feeling that a curse looms over all of his actions. In Rigoletto, the composer introduces several of his most iconic arias and duets—as well as an 11th-hour quartet that counts among the finest moments in opera.

Runtime: MMPA: PG-13 Release: 1977-11-07

Barbra: The Music ... The Mem'ries ... The Magic! (2017)

7 /10

Iconic songstress Barbra Streisand culminates her 13-city tour in Miami with dazzling ballads, Broadway standards and stories from behind the scenes.

Runtime: MMPA: PG-13 Release: 2017-11-22

Die Zauberflöte, Bregenzer Festspiele (2013)

7 /10

What begins like a fairy-tale turns into a whimsical fantasy halfway between magic farce and Masonic mysticism: The Magic Flute links a love story with the great questions of the Enlightenment, juxtaposes bird-catcher charm with queenly vengeance, and bewitches the listener with music that mixes cheerful melodies, lovers’ arias, showstopping coloraturas and mysterious chorales. W. A. Mozart’s opera premiered in 1791 and is one of the most often performed operas in the world. The production on the Bregenz Festival lake stage impresses the audience with a fantastic setting framed by three dog-dragons, each of them more than twenty meters in height. “David Pountney finds stunning answers to the everlasting questions surrounding ‘The Magic Flute’.” (Tagesspiegel) “The ‘play on the lake’ in Bregenz takes the audience into a fantasy world.” (Salzburger Nachrichten)

Runtime: MMPA: PG-13 Release: 2013-02-18

Götterdämmerung (1990)

8 /10

The stupendous climax to Wagner’s four-part Ring cycle is brilliantly realized by the Otto Schenk/Günther Schneider-Siemssen production and byJames Levine’s monumental conducting. The Met orchestra, chorus, and an all-star cast make this Götterdämmerung one that truly rises to the occasion. Hildegard Behrens’s Brünnhilde must be experienced to be believed, as does Matti Salminen’s richly sung, domineering Hagen. At the center of the drama is Siegfried Jerusalem as Siegfried, who does not realize he has been drawn into a plot of betrayal until it is too late. Christa Ludwig is magnetic as Waltraute and Ekkehard Wlaschiha is a compelling Alberich.

Runtime: MMPA: PG-13 Release: 1990-05-05

The Mikado (1983)

9.5 /10

In a small Japanese town, Ko-Ko is appointed to the unenviable position of executioner. Knowing he must successfully perform before the appearance of the Mikado in a month's time, Ko-Ko finds a suitable victim in Nanki-Poo, who is distraught over his unrequited love for the maiden Yum-Yum. Nanki-Poo agrees to sacrifice his life if he is allowed to spend his remaining days with Yum-Yum, who is betrothed to Ko-Ko. Filmed live from the 1982 Stratford Festival in Ontario.

Runtime: MMPA: PG-13 Release: 1983-01-02

Tosca (2000)

0 /10

Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.

Runtime: MMPA: PG-13 Release: 2000-03-17

Otello (1992)

0 /10

The complete version of Verdi's Otello performed by Placido Domingo and Kiri Te Kanawa, at the Royal Opera House, Covent Garden. Gala Performance in honour of Sir Georg Solti's 80th birthday.. 27 October 1992. BBC 2 Television live relay.

Runtime: MMPA: PG-13 Release: 1992-10-27

The Metropolitan Opera: The Exterminating Angel (2017)

7.7 /10

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

Runtime: MMPA: PG-13 Release: 2017-11-18

Carmen (2002)

0 /10

David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.

Runtime: MMPA: PG-13 Release: 2002-07-25

Bizet: Carmen (2014)

0 /10

Georgian mezzo-soprano Anita Rachvelishvili gives a dynamic performance as Bizet’s iconic gypsy, the woman who lives by her own rules. Aleksandrs Antonenko is Don José, the soldier who falls under her spell, and Ildar Abdrazakov plays Escamillo, the swaggering bullfighter who takes Carmen away from Don José—an action that seals Carmen’s tragic fate. Anita Hartig is Micaëla, and Pablo Heras-Casado conducts Richard Eyre’s hit production, set in 1930s Spain.

Runtime: MMPA: PG-13 Release: 2014-11-01

Hoffmanns Erzählungen (2011)

8 /10

Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.

Runtime: MMPA: PG-13 Release: 2011-10-30

Nabucco (2009)

7 /10

Part of Tutto Verdi series - Nabucco (2009) Parma. NABUCCO was Verdi’s third work for the stage and proved his first great success when performed in 1842. It deals with the Hebrew’s attempts to break free from the yoke of their Babylonian oppressors and is nowadays numbered among Verdi’s most popular works, not least on account of its famous Chorus of Hebrew Slaves, which has one of the best-loved melodies in the whole history of opera.

Runtime: MMPA: PG-13 Release: 2009-10-12

William Tell (1987)

0 /10

“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.

Runtime: MMPA: PG-13 Release: 1987-09-06

Die Fledermaus (1984)

7.8 /10

Most opera houses ring in the New Year with Johann Strauss Jr.'s most popular operetta--the festiveness of which is appropriate for the occasion--and this December 31, 1983, Covent Garden performance follows suit. An exceptional cast--led by Hermann Prey and Kiri Te Kanawa as the couple whose marriage survives the comic indiscretions of three long acts--obviously has as much fun as the audience. Plácido Domingo leads the Orchestra of the Royal Opera House through its paces with panache. Prince Orlofsky's Act II party is always a splendid opportunity to pull out all the stops with surprise "guests," and this performance makes the most of its chance: entering the proceedings to sing one of his tailor-made chansons, "She," is French crooner Charles Aznavour, who is followed by dancers Merle Park and Wayne Eagling, their delightful pas de deux flashily choreographed by Sir Frederick Ashton.

Runtime: MMPA: PG-13 Release: 1984-01-01

Page 1 of 2:12