Manon Lescaut 1983
7 /10
"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccinis other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccinis great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the worlds leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.
Release Dates
| Country | Release Type | Release Date |
|---|
cast
Full Cast & Crew
Related Movies To
Skyfall: Quantum of Spectre
This is by far one of my favorite movies from the MCU. The introduction of new Characters both good and bad also makes the movie more exciting. giving the characters more of a back story can also help audiences relate more to different characters better, and it connects a bond between the audience and actors or characters. Having seen the movie three times does not bother me here as it is as thrilling and exciting every time I am watching it. In other words, the movie is by far better than previous movies (and I do love everything Marvel), the plotting is splendid (they really do out do themselves in each film, there are no problems watching it more than once.
Avengers Age of Ultron is an excellent sequel and a worthy MCU title! There are a lot of good and one thing that feels off in my opinion.
THE GOOD:
First off the action in this movie is amazing, to buildings crumbling, to evil blue eyed robots tearing stuff up, this movie has the action perfectly handled. And with that action comes visuals. The visuals are really good, even though you can see clearly where they are through the movie, but that doesn't detract from the experience. While all the CGI glory is taking place, there are lovable characters that are in the mix. First off the original characters, Iron Man, Captain America, Thor, Hulk, Black Widow, and Hawkeye, are just as brilliant as they are always. And Joss Whedon fixed my main problem in the first Avengers by putting in more Hawkeye and him more fleshed out. Then there is the new Avengers, Quicksilver, Scarletwich, and Vision, they are pretty cool in my opinion. Vision in particular is pretty amazing in all his scenes.
THE BAD:
The beginning of the film it's fine until towards the second act and there is when it starts to feel a little rushed. Also I do feel like there are scenes missing but there was talk of an extended version on Blu-Ray so that's cool.
I can't right much... it's just so forgettable...Okay, from what I remember, I remember just sitting down on my seat and waiting for the movie to begin. 5 minutes into the movie, boring scene of Tony Stark just talking to his "dead" friends saying it's his fault. 10 minutes in: Boring scene of Ultron and Jarvis having robot space battles(I dunno:/). 15 minutes in: I leave the theatre.2nd attempt at watching it: I fall asleep. What woke me up is the next movie on Netflix when the movie was over.
Bottemline: It's boring...
10/10 because I'm a Marvel Fanboy
If there were not an audience for Marvel comic heroes than clearly these films would not be made, to answer one other reviewer although I sympathize with him somewhat. The world is indeed an infinitely more complex place than the world of Marvel comics with clearly identifiable heroes and villains. But I get the feeling that from Robert Downey, Jr. on down the organizer and prime mover as Iron Man behind the Avengers these players do love doing these roles because it's a lot of fun. If they didn't show that spirit of fun to the audience than these films would never be made.
So in that spirit of fun Avengers: Age Of Ultron comes before us and everyone looks like they're having a good time saving the world. A computer program got loose and took form in this dimension named Ultron and James Spader who is completely unrecognizable is running amuck in the earth. No doubt Star Trek fans took notice that this guy's mission is to cleanse the earth much like that old earth probe NOMAD which got its programming mixed up in that classic Star Trek prime story. Wouldst Captain James T. Kirk of the Enterprise had a crew like Downey has at his command.
My favorite is always Chris Evans because of the whole cast he best gets into the spirit of being a superhero. Of all of them, he's already played two superheroes, Captain America and Johnny Storm the Human Torch. I'll be before he's done Evans will play a couple of more as long as the money's good and he enjoys it.
Pretend you're a kid again and enjoy, don't take it so seriously.
The Avengers raid a Hydra base in Sokovia commanded by Strucker and they retrieve Loki's scepter. They also discover that Strucker had been conducting experiments with the orphan twins Pietro Maximoff (Aaron Taylor-Johnson), who has super speed, and Wanda Maximoff (Elizabeth Olsen), who can control minds and project energy. Tony Stark (Robert Downey Jr.) discovers an Artificial Intelligence in the scepter and convinces Bruce Banner (Mark Ruffalo) to secretly help him to transfer the A.I. to his Ultron defense system. However, the Ultron understands that is necessary to annihilate mankind to save the planet, attacks the Avengers and flees to Sokovia with the scepter. He builds an armature for self-protection and robots for his army and teams up with the twins. The Avengers go to Clinton Barton's house to recover, but out of the blue, Nick Fury (Samuel L. Jackson) arrives and convinces them to fight against Ultron. Will they succeed?
"Avengers: Age of Ultron" is an entertaining adventure with impressive special effects and cast. The storyline might be better, since most of the characters do not show any chemistry. However, it is worthwhile watching this film since the amazing special effects are not possible to be described in words. Why Pietro has to die is also not possible to be explained. My vote is eight.
Cast & crew of
Manon Lescaut
Directors & Credit Writers
Writer
Original Music Composer
Director
Writer
Writer
Director
Original Story
Conductor
Cast
Manon Lescaut
Lescaut
Edmond
Similair Movies To
Manon Lescaut
Tristan und Isolde (2007)
0 /10
The legendary Patrice Chéreau (Bayreuth Jahrhundertring, Queen Margot, Intimacy) directed this production of Richard Wagner's psychological music drama Tristan und Isolde at the Teatro alla Scala in 2007. It stars Ian Storey, Waltraud Meier, Matti Salminen, Gerd Grochowski and Michelle DeYoung; the Orchestra and Chorus of the Teatro Alla Scala provide musical support, under the baton of Daniel Barenboim.
Runtime: MMPA: PG-13 Release: 2007-12-07
Guillaume Tell (2014)
0 /10
Live from Munich June 2014. Guillaume Tell , in a new production by 30-year-old Wunderkind stage director Antú Romero Nunes, opens this year’s Munich Opera Festival with an orgy of fabulous singing.
Runtime: MMPA: PG-13 Release: 2014-06-28
Puccini Manon Lescaut (2015)
10 /10
The French tale of a beautiful young woman destroyed by her conflicting needs for love and luxury.
Runtime: MMPA: PG-13 Release: 2015-01-01
Orphée et Eurydice (2003)
0 /10
Live from Munich, October 2003. A husband laments the death of his wife. He follows her to the underworld and finds her there. But he is forbidden to look at her. He does it anyway! Has he now lost her forever? Or will the gods' hearts be moved by this loving, "human" glance? In 1762, Gluck put the quietus on the artificiality of baroque opera with this work - from then on the human element took center stage.
Runtime: MMPA: PG-13 Release: 2003-10-24
Dvorak: Rusalka (2012)
0 /10
A legend of mermaids, mere mortals, and sylvan glades. Be transported to a mystical world of water sprites, witches, and wood nymphs. In exchange for love, Rusalka will relinquish not only her mermaid magic, but also her voice.
Runtime: MMPA: PG-13 Release: 2012-03-27
Attila (2010)
0 /10
Part of Tutto Verdi series - Attila (2010) Parma. 'Attila' is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play 'Attila, König der Hunnen' ('Attila, King of the Huns') by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846.
Runtime: MMPA: PG-13 Release: 2010-10-21
Ernani (2005)
0 /10
Part of Tutto Verdi series - Ernani (2005) Parma. 'Ernani' is an operatic dramma lirico in four acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play 'Hernani' by Victor Hugo. Ernani was first performed on 9 March 1844 at the Teatro La Fenice in Venice.
Runtime: MMPA: PG-13 Release: 2005-05-03
Verdi: Falstaff (Teatro Regio di Parma) (2011)
8 /10
Part of Tutto Verdi series - Falstaff (2011) Parma. 'Falstaff' is an opera in three acts by the Italian composer Giuseppe Verdi (1813–1901). The libretto was adapted by Arrigo Boito from Shakespeare's 'The Merry Wives of Windsor' and scenes from 'Henry IV, parts 1 and 2'. The work premiered on 9 February 1893 at La Scala, Milan
Runtime: MMPA: PG-13 Release: 2011-10-10
Giovanna d'Arco (2008)
0 /10
This work predates Thchaikowsly’s for almost 4 years, and it is base don the Schiller play I have previously criticized for its lack of historical accuracy. It is essentially focused on three major voices, soprano, tenor and baritone, with a basso to spice it up. New Yorker Evan Bowers may not be a matinee idol, but he sails into the role with a bright, focused lyrico spinto tenor voice. Renato Bruson was 72 years old in 2008, when he took this role (first sung by him in1989) and it shows, with quite a wobble on many passages; yet his voice commands the stage and rises majestically in the ensembles. And then, Bulgarian Svetla Vassileva, who is not burned at the stake, as in “Maid”, but dies heroically in battle.
Runtime: MMPA: PG-13 Release: 2008-10-07
I due Foscari (2013)
0 /10
Part of Tutto Verdi series - I due Foscari (2009) Parma
Runtime: MMPA: PG-13 Release: 2013-11-13
I Lombardi alla prima crociata (2009)
0 /10
I Lombardi alla prima crociata (The Lombards on the First Crusade) was Verdi’s fourth opera and received its first performance at La Scala, Milan, in February 1843. The grandiloquent subject matter is fleshed-out with broad-brushed musical and dramatic effects and lavish choral scenes created a correspondingly impressive impact. A great success in Milan, it spread to the rest of Europe within a matter of only a few years.
Runtime: MMPA: PG-13 Release: 2009-01-15
Il corsaro (2008)
0 /10
The caption on the DVD sleeve reads “This Is how Verdi should be played!” and I could not agree more. The trio of principals: Ribeiro, Lungu, and Dalla Benetta , offer youthful exhuberance and intensity, good looks and glorious voices. The rest of the cast is equally good. Superb conductor, traditional production, great staging. Anf of course, Verdi’s exquisite music. It has renovated my faith in the totality of the Verdi canon, not only its most performed titles.
Runtime: MMPA: PG-13 Release: 2008-10-19
Giuseppe Verdi : La forza del destino (2013)
0 /10
Donna Leonora, daughter of the Marquis of Calatrava, is preparing to flee secretly with her lover Don Alvaro (son of the Viceroy of Mexico and an Inca princess). The Marquis enters unexpectedly. Alvaro hesitates to raise his weapon against his lover's father and throws his pistol. As he falls, the pistol fires and the Marquis is mortally wounded. As he dies, he curses his daughter. Don Carlo di Vargas, Leonora's brother, decides to avenge the death of his sister and her fiancé. In the turmoil of the chase, Leonora and Alvaro lose each other... Live recording made on 2 and 5 February 2011 at the Teatro Regio in Parma. The libretto by Francesco Piave is based on a play by Ángel Saavedra (1791 - 1865), Duke of Rivas, ‘Don Álvaro o la Fuerza del sino’ (1835). The plot of this romantic drama is based entirely on coincidence, chance and unexpected encounters. In a word, fate.
Runtime: MMPA: PG-13 Release: 2013-04-25
Luisa Miller (2007)
8 /10
As the release of the ‘Tutto Verdi’ series from the Teatro Regio progresses, one has begun to have fears that the later Verdi operas will fail to measure up to the standards that have been set on DVD by productions from international houses across the globe. The issues of the early and middle period Verdi works have been welcome, because these pieces are so rarely encountered in the opera house; but with Macbeth and Luisa Miller we are coming to operas that have been performed by major artists in major productions with superb orchestras and conductors.
Runtime: MMPA: PG-13 Release: 2007-10-22
Un ballo in maschera (2011)
0 /10
Part of Tutto Verdi series - Un ballo in maschera (2011) Parma. Based on a Scribe libretto and begun as 'Gustavo III' set in Sweden, it became 'Una vendetta in dominò' set in Germany, and finally 'Un ballo', set not in Sweden but in Boston, Massachusetts during the colonial era. These changes were caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858.
Runtime: MMPA: PG-13 Release: 2011-10-01
Un giorno di regno (2010)
0 /10
Part of Tutto Verdi series - Un giorno di regno (2010) Parma. 'Un giorno di regno, ossia il finto Stanislao' ('A One-Day Reign, or The Pretend Stanislaus', but often translated into English as 'King for a Day') is an operatic melodramma giocoso in two acts by Giuseppe Verdi to an Italian libretto written in 1818 by Felice Romani. Originally written for the Bohemian composer Adalbert Gyrowetz, the libretto was based on the play 'Le faux Stanislas' written by the Frenchman Alexandre Vincent Pineu-Duval in 1808.
Runtime: MMPA: PG-13 Release: 2010-01-31
I vespri siciliani (2010)
0 /10
Part of Tutto Verdi series 'I vespri siciliani' ('The Sicilian Vespers') is a five-act Italian opera originally written in French for the Paris Opéra and translated into Italian shortly after its premiere in June 1855. Under its original title, 'Les vêpres siciliennes', the libretto was prepared by Eugène Scribe and Charles Duveyrier from their work 'Le duc d'Albe', which was written in 1838 and offered to Halévy and Donizetti before Verdi agreed to set it to music in 1854. The story is loosely based on a historical event, the Sicilian Vespers of 1282, using material drawn from the medieval Sicilian tract 'Lu rebellamentu di Sichilia'.
Runtime: MMPA: PG-13 Release: 2010-10-20
Verdi: La Traviata (Teatro Regio di Parma) (2007)
5 /10
Part of Tutto Verdi series - La Traviata (2007) Parma. 'La traviata' ('The Fallen Woman') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on 'La dame aux Camélias' (1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally titled 'Violetta', after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer and librettist's original wishes were carried out and "realistic" productions were staged.
Runtime: MMPA: PG-13 Release: 2007-10-09